Repetition and distance in ASCO’s fotonovelas

Paloma Checa Gismero

Resumen


This essay analyzes the fotonovelas produced by the Los Angeles based group ASCO in the early 1980’s, works recently claimed as key productions of later American art history. Judith Butler’s definition of the performative is taken as a point of departure for the inquiry, paying special attention to how repetition features in them as a mechanism to reformulate the genre of fotonovela.

Palabras clave


Performativity; genre; fotonovela; repetition; renovation;

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Referencias


Traducción de la autora. Butler, J. (1993) Bodies that Matter, New York & London, Routledge

Danto, A. C. (1999) “Correspondance School Art”, en The Nation 1999, p. 30

Traducción de la autora. Gilles Deleuze, ‘‘He Stuttered,’’ trans. Constantin V. Boundas, Gilles Deleuze and the Theater of Philosophy, ed. Constantin V. Boundas and Dorthea Olkowski, New York, Routledge,1994, p.26

Derrida, J. (1988) Limited Inc., Evanston, Illinois, Northwestern University Press.

Diamond, E. (1996) Performance and Cultural Politics, N. Y, Routledge.

Didi Huberman, G. (2008) Cuando las imágenes toman posición, Madrid, Machado Ed.

Felman, S. (1983) The Literary Speech Act, Ithaca, NY, Cornell University Press.

Groys, B. (2009) "Religion in the Age of Digital Reproduction" en E-Flux #4 http://www.e-flux.com/journal/religion-in-the-age-of-digital-reproduction/ Consulta: 12/19/2012

Jameson, F. (1991) Posmodernism or the Cultural Logic of Late Capitalism, London, Blackwell Publishers.

Traducción de la autora. Jakobson, R; Halle, M. (1954) Fundamentals of Language, Gravenhage, Monton & Co’s.

Flores, R. (1995) Fotonovela argentina: heredera del melodrama, Capital Federal, Asociación Argentina de Editores de Revistas

Marx, K. "Der 18te Brumaire des Louis Napoleon" in Die Revolution, New York, 1852.

Ondine Chavoya, C; González, R. (2011) "ASCO and the Politics of Revulsion", en Varios autores, ASCO. Elite of the Obscure, Los Ángeles, Williams College Museum of Art, Los Angeles County Museum of Art.

Sempere, P. (1976) Semiología del infortunio: lenguaje e ideología de la fotonovela, Madrid, Felmar Ed.

Soja, E; Scott, A. (1996) The City: Los Angeles and Urban Theory at the End of the Twentieth Century, Berkeley, University of California Press.


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Este obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional.

 
 

Re-visiones - ISSN 2143-0040
 
HAR2013-43016-P I+D Visualidades críticas, reescritura de las narrativas a través de las imágenes