You never know what you’re recording

Fernando Baños, Yayo Aznar Almazán

Resumen


Guidelines for a correct (and reader-friendly) appreciation of the text: this text was not written with consensus of opinion. It is an exchange of ideas through dialogue between an art historian and the creator of a video-essay based on specific images of the war in Bosnia. This ’textual collage’ was presented as a paper during the seminar “Art thinks; thinking with images” in June 2010 and formed part of the R&D project Images of art and the rewriting of narratives in global visual culture. The reader should note that the text in italics identifies comments of the art historian (Yayo Aznar Almazán) whereas normal text is that of the artist (Fernando Baños Fidalgo).

Palabras clave


film; shoot; movie; document; essay

Texto completo:

PDF (English)

Referencias


Barthes, R. S/Z. Mexico, Siglo XXI Ed., 1987.

Baños, F., El turista de la memoria. En torno a la mirada lenta del Austerlitz de Sebald. Madrid, Universidad Complutense, 2010.

Bremner, A. Chris Marker. Staring Back. Wexner Center of the Arts, The Ohio State University, 2007.

Burger, P., Crítica de la estética idealista. Madrid, Visor, La Balsa de la Medusa, 1996.

Didi-Huberman, G,. Ante el tiempo. Adriana Hidalgo Editores, Buenos Aires, 2000.

Didi-Huberman, G., Imágenes pese a todo. Memoria visual del Holocausto. Barcelona, Paidós, 2004.

Schweizer, N. (dir.) La política de las imágenes. Santiago de Chile, Metales Pesados, 2008.

Van Alphen, E. Art in Mind. London, University of Chicago Press, 2005.

Weinrichter, A. (ed.) La forma que piensa. Tentativas en torno al cine-ensayo. Gobierno de Navarra, Pamplona, 2007.


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Licencia de Creative Commons
Este obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional.

 
 

Re-visiones - ISSN 2143-0040
 
HAR2013-43016-P I+D Visualidades críticas, reescritura de las narrativas a través de las imágenes